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Dana Maman is a capoeirista and musician originally from Tel Aviv, who now plays with Capoeira Batuque in Los Angeles. She also performs with the dance group Bale Folclorico do Brazil, and teaches percussion and capoeira music.
She has just released her first capoeira music CD, which she has made available online at her website, www.danamaman.com - check it out and support her work by making a donation! |
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A dobrão is the thick coin used to play the berimbau, and mine had gone missing after our street roda. I had others at home... but for capoeiristas, it's more than just a piece of lost property. You develop a certain affinity with your dobrão; it's the part of the berimbau you always carry with you. Baquetas are a dime a dozen, but losing a dobrão is almost like losing a patuá, a protective amulet. |
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While in Brazil, I grabbed a bunch of stuff that I'd hoped to bring back and sell locally in the U.S. I need to get rid of it! Here is the list of what I have with me in New York. All CDs are $20 (shipping is included within the continental U.S.) and the DVDs are $30. Contact me if you're interested! - Topázio - Vol. III Ser Capoeira
- Mestrando Bigodinho - 13 Mais Tocadas na Capoeira
- DVD Capoeira Angola - Os melhores momentos do Mestre Jogo de Dentro
- DVD Mestre Jogo de Dentro - Tradição
- Baquetas de Biriba - $1.50 each
- Baquetas de Ticum - $2.00 each
Click "Read more" to see the track listings... |
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Lá no céu vai quem merece Na terra vale quem tem A soberba combatida Foi quem matou Pedro Cem...
This famous ladainha was written by Mestre Waldemar and based on a true story that became a legend in Brazilian popular culture. Read on to find out who Pedro Cem was, when and where he lived, and what happened to him. |
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Abstract: This article analyzes the representation of women in capoeira songs, examining the ethical and instructive roles of the lyrics. Some comparisons are made between common themes in capoeira songs and in Popular Brazilian Music (MPB), establishing links between the representation of women in both musical traditions. This study also evaluates the misogynistic message of many lyrics, contrasting them with the process of transformation that has taken place in capoeira circles. The presence of prominent feminine voices, the questioning of the mistreatment of women, and the new songs are all aspects that have contributed to re-shaping the female image in the songs and in the game. |
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