Abstract: This article analyzes the representation of women in capoeira songs, examining the ethical and instructive roles of the lyrics. Some comparisons are made between common themes in capoeira songs and in Popular Brazilian Music (MPB), establishing links between the representation of women in both musical traditions. This study also evaluates the misogynistic message of many lyrics, contrasting them with the process of transformation that has taken place in capoeira circles. The presence of prominent feminine voices, the questioning of the mistreatment of women, and the new songs are all aspects that have contributed to re-shaping the female image in the songs and in the game. 

Much of capoeira’s philosophy and history is recorded between the lines of its songs, not forgetting that part of this history is linked with that of Brazil. This is why it’s important to research and question the meaning of some songs, since their main purpose is to pass on a message, whether immediately or for later reflection.

So we are going to talk a little bit about the historical content within one of capoeira’s most popular songs: Parana ê. It refers to the War of Paraguay, but what was this war?

Buy this CD at Bahia-Capoeira

Mestre Cláudio of Feira de Santana is considered one of the people responsible for the revitalization of capoeira angola. His school "Angoleiros do Sertão" is located in Feira de Santana, and Mestre Cláudio frequently holds events to unite the old and the new generations of Capoeira and Samba de Roda. 

Here are three ladainhas and three corridos from their CD.